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Goethe and studies about nature

Sunday 5 January 2014, by Robert Paris

Goethe and studies about nature

Although his literary work has attracted the greatest amount of interest, Goethe was also keenly involved in studies of natural science.[26] He wrote several works on morphology, and colour theory. Goethe also had the largest private collection of minerals in all of Europe. By the time of his death, in order to gain a comprehensive view in geology, he had collected 17,800 rock samples.

His focus on morphology and what was later called homology influenced 19th century naturalists, although his ideas of transformation were about the continuous metamorphosis of living things and did not relate to contemporary ideas of "transformisme" or transmutation of species. Homology, or as Étienne Geoffroy Saint-Hilaire called it "analogie", was used by Charles Darwin as strong evidence of common descent and of laws of variation.[27] Goethe’s studies led him to independently discover the human intermaxillary bone in 1784, which Broussonet (1779) and Vicq d’Azyr (1780) had (using different methods) identified several years earlier.[28] While not the only one in his time to question the prevailing view that this bone did not exist in humans, Goethe, who believed ancient anatomists had known about this bone, was the first to prove its peculiarity to all mammals.

Goethe observed light spectrum with a prism, colour arises at light-dark edges, and the spectrum occurs where these coloured edges overlap.

During his Italian journey, Goethe formulated a theory of plant metamorphosis in which the archetypal form of the plant is to be found in the leaf – he writes, "from top to bottom a plant is all leaf, united so inseparably with the future bud that one cannot be imagined without the other".[29] In 1790, he published his Metamorphosis of Plants.[30] As one of the many precursors in the history of evolutionary thought, Goethe wrote in Story of My Botanical Studies (1831):

"The ever-changing display of plant forms, which I have followed for so many years, awakens increasingly within me the notion: The plant forms which surround us were not all created at some given point in time and then locked into the given form, they have been given... a felicitous mobility and plasticity that allows them to grow and adapt themselves to many different conditions in many different places."[31]
Goethe’s botanical theories were partly based on his gardening in Weimar.[32]

Goethe also popularized the Goethe barometer using a principle established by Torricelli. According to Hegel, ’Goethe has occupied himself a good deal with meteorology; barometer readings interested him particularly... What he says is important: the main thing is that he gives a comparative table of barometric readings during the whole month of December 1822, at Weimar, Jena, London, Boston, Vienna, Töpel... He claims to deduce from it that the barometric level varies in the same propoportion not only in each zone but that it has the same variation, too, at different altitudes above sea-level’.[33]

In 1810, Goethe published his Theory of Colours, which he considered his most important work. In it, he contentiously characterized color as arising from the dynamic interplay of light and darkness through the mediation of a turbid medium.[34] In 1816, Schopenhauer went on to develop his own theory in On Vision and Colors based on the observations supplied in Goethe’s book. After being translated into English by Charles Eastlake in 1840, his theory became widely adopted by the art world, most notably J. M. W. Turner.[35] Goethe’s work also inspired the philosopher Ludwig Wittgenstein, to write his Remarks on Color. Goethe was vehemently opposed to Newton’s analytic treatment of color, engaging instead in compiling a comprehensive rational description of a wide variety of color phenomena. Although the accuracy of Goethe’s observations does not admit a great deal of criticism, his theory’s failure to demonstrate significant predictive validity eventually rendered it scientifically irrelevant. Goethe was, however, the first to systematically study the physiological effects of color, and his observations on the effect of opposed colors led him to a symmetric arrangement of his color wheel, ’for the colors diametrically opposed to each other... are those which reciprocally evoke each other in the eye. (Goethe, Theory of Colours, 1810).[36] In this, he anticipated Ewald Hering’s opponent color theory (1872).[37]

Goethe outlines his method in the essay The experiment as mediator between subject and object (1772).[38] In the Kurschner edition of Goethe’s works, the science editor, Rudolf Steiner, presents Goethe’s approach to science as phenomenological. Steiner elaborated on that in the books The Theory of Knowledge Implicit in Goethe’s World-Conception[39] and Goethe’s World View,[40] in which he characterizes intuition as the instrument by which one grasps Goethe’s biological archetype—The Typus.

Novalis, himself a geologist and mining engineer, expressed the opinion that Goethe was the first physicist of his time and ’epoch-making in the history of physics’, writing that Goethe’s studies of light, of the metamorphosis of plants and of insects were indications and proofs ’that the perfect educational lecture belongs in the artist’s sphere of work’; and that Goethe would be surpassed ’but only in the way in which the ancients can be surpassed, in inner content and force, in variety and depth – as an artist actually not, or only very little, for his rightness and intensity are perhaps already more exemplary than it would seem’. [41]

• 26 - "Johann Wolfgang von Goethe". The Nature Institute. Retrieved 2008-08-28.

• 27 - Darwin, C. R. (1859). On the origin of species by means of natural selection, or the preservation of favoured races in the struggle for life (1st ed.). John Murray.

• 28 - K. Barteczko and M. Jacob (1999). "A re-evaluation of the premaxillary bone in humans". Anatomy and Embryology 207 (6): 417–437. doi:10.1007/s00429-003-0366-x. PMID 14760532.

• 29 - Goethe, J.W. Italian Journey. Robert R Heitner. Suhrkamp ed., vol 6.

• 30 - Magnus, Rudolf; Schmid, Gunther (20 September 2004). Metamorphosis of Plants. Google Books. ISBN 978-1-4179-4984-7. Retrieved 2008-08-28.

• 31 - Frank Teichmann (tr. Jon McAlice) "The Emergence of the Idea of Evolution in the Time of Goethe" first published in Interdisciplinary Aspects of Evolution, Urachhaus (1989)

• 32 - Balzer, Georg (1966). Goethe als Gartenfreund. München: F. Bruckmann KG.

• 33 - Georg Wilhelm Friedrich Hegel, Hegel’s Philosophy of Nature: Encyclopaedia of the Philosophical Sciences (1830), Part 2 Translated by A. V. Miller illustrated, reissue, reprint Oxford University Press, 2005 ISBN 0-19-927267-0, ISBN 978-0-19-927267-9, Google Books

• 34 - Aristotle wrote that color is a mixture of light and dark, since white light is always seen as somewhat darkened when it is seen as a color. (Aristotle, On Sense and its Objects, III, 439b, 20 ff.: "White and black may be juxtaposed in such a way that by the minuteness of the division of its parts each is invisible while their product is visible, and thus color may be produced.")

• 35 - Bockemuhl, M. (1991). Turner. Taschen, Koln. ISBN 3-8228-6325-4.

• 36 - Goethe, Johann (1810). Theory of Colours, paragraph No. 50.

• 37 - "Goethe’s Color Theory". Retrieved 2008-08-28.

• 38 - "The Experiment as Mediator between Subject and Object". Archived from the original on 11 November 2011. Retrieved 26 June 2014.

• 398 - "The Theory of Knowledge Implicit in Goethe’s World Conception". Retrieved 2008-08-28.

• 40 - "Goethe’s World View". Retrieved 2008-08-28.

• 41 - ’Goethe’s Message of Beauty in Our Twentieth Century World’, (Friedrich) Frederick Hiebel, RSCP California. ISBN 0-916786-37-4

The Metamorphosis of Plants

Theory of colors

Commentaries upon Theory of colours

The tube upon Theory of colors

Goethe on science

Goethean science

The idea of Evolution

Goethe, Nature, and Phenomenology

Goethe’s Way of Science as a Phenomenology of Nature

Seeing Nature Whole — A Goethean Approach

Goethe and the Phenomenological Investigation of Consciousness

Goethean Science

Johann Wolfgang von Goethe

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